I believe what Krukowski means when he asserts to “the marginal-the rejected-the repressed” is that ultimately, the power of marginalization comes directly from the people. What some may consider insignificant now, may be of significance later on in their life. By asking this question, he indicates that the same ideology that marginalizes certain aspects of music is also used to contradict it. He explains this at the very beginning of the episode in simple words, “even yesterday’s hits end up in the dollar bin eventually.” What we might consider marginal, changes over time with the exposure to different lanes in music.